Now that I’ve been playing it aĬouple of days it only amazes me more… my high register has increased quite aīit, and it’s become very easy to play up there. I'll be double tonguing the whole thing so circularīreathig is out. It's truncated and has some eigth note rests edited in forīreaths.
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This one will be an etude based on the Paganninni piece. Ready to finally record my first Moto Perpetuo effort, though I got RAVE reviews, and I just love them! I am getting BTW, I used your new finished Operas on my Easter
![olds ambassador cornet shank change olds ambassador cornet shank change](http://lh3.googleusercontent.com/-72csDAehV9M/UrOBir2ESvI/AAAAAAAANSw/b4uX4YI4qdc/w1200-h630-p-k-no-nu/CAM00703.jpg)
Hopefully it'll be up next week and it willįeature the Opera model. I have to get down into the studio and record it as I am planning on a legit piece for the mp3 site in the next Really hold the volume down but we still had to keep a certain This was particularly nice on Easter Sunday AM as we hadĪ smaller chorus. The wedge on the bottom allowsįor this same sweetness and control in the upper register. The extremely deep cup allows for a VERYĭark tone and sweet sound. Used them over Easter and I couldn't have been more pleased I only had some prototypes that weren'tīuffed right and were a little scraped up. I wish I had these for my little concerto performanceĪ few of weeks ago. My new Asymmetric Operas a few days ago and I just love I stopped putting them on, because there were so many that I'm sure no one would read them all. They are important, but not as important as the 99+% approval group. But since the mouthpiece returns are less than one percent, I felt that the negatives were statistically not significant. You may notice that they are all positive. With very few exceptions, these are unsolicited and have been submitted by Asymmetric users. Nick uses Asymmetric mouthpieces and has made several recordings using them.Ī few more comments are as follows. Nick and I have never met (except over the phone a few times),Īnd are not commercially connected in any way i.e., he has Providing independent analytical validation of the Asymmetric. Mouthpiece and essentially duplicate my own analysis, thus The ninth and tenth of which are devoted to the Asymmetric His website, you'll see something called a "Virtual Textbook Is a man who knows what he's talking about. Plays all of the Brasses from Tuba to Piccolo Trumpet. He has a recording studio, and not only plays Lead, but JazzĪs well.* Also he is an accomplished legitimate player and
#OLDS AMBASSADOR CORNET SHANK CHANGE FREE#
Teaches and is a free lance lead player, clinician and lecturer. He's played with Maynard Ferguson, he writes, records, His name is Nick Drozdoff, and he lives in the Chicago area. Who speaks with authority from a scientific point of viewīecause of his background and degrees (Physics). Qualified as a highly respected and competent musician, but One particular and very prestigious player who is not only You might want to read an especially relevant appraisal by
![olds ambassador cornet shank change olds ambassador cornet shank change](http://www.tucksmusicstore.com/Trumpets/Olds/OldsPairs/AmbassadorPair_03/32397_GoldLeaf_03.jpg)
Have adapted to it, appear to be having remarkable success. The remainder, who either use this position, or They are unable to use the required 1/3, 2/3 vertical mouthpiece Less than 1% of these say that theyĬan't play the Asymmetric, usually because, for some reason, Ship these mouthpieces to players, I ask them to, "stay in